What are their character traits, both good and bad? What is the flaw your main character possesses that might cause them grief later in the story? It’s fine if they populate the rest of your world a bit, but for the characters we follow? We want more. They fall into stereotypes - the distracted professor, the overworked single mom, the ditsy cheerleader… we’ve seen these time and again. Often considered “stock characters,” flat characters can often be summarized in one word (like “bully” or “love interest”) and never digress from or transcend their role.” Ī flat character lacks the great detail that makes a compelling character. Usually, flat characters have just one or two perfunctory traits. “A flat character is a two-dimensional character lacking depth or a real personality. Round characters are more interesting and make your reader and audience more invested in the story. Round characters are interesting to audiences because they feel like real people audiences often feel invested in these characters’ goals, successes, failures, strengths, and weaknesses.” “A round character is deep and layered character in a story. Instead of having a genius doctor, you have a genius doctor who lacks a bedside manner, has a physical disability which leads him to a dependency on narcotics. You want to avoid stereotypes in your main character. Nowadays, write the subject in the same paragraph. This could be very intentional rhythm illustrated for the scene, having the director and actor take their time letting this introduction play out before the camera. A MAN is separated from the rest of the description. The format is also a little off from the norm, or at least what we see today. For the most part, if you can’t see or hear it, you should think twice about writing it in your action lines. For one, he’s scripting out a lot of stuff that cannot be seen, like how Butch speaks and that he’s been a leader of men all his life. William Goldman is a very well known screenwriter, and he could get away with some tricks that you probably shouldn’t do in your first scripts. ![]() The scene descriptions give us a good idea of what type of man he is and how he should be portrayed. In the opening of this Western, we’re introduced to our main character Butch Cassidy. Butch Cassidy and the Sundance Kid (1969) This is a real killer this movie is based on, so some attempt at reality should be made. Why this car chase scene was skipped over was possibly two-fold - the car chase scene took too long and detracted from the rest of the movie, and possibly because it wasn’t true to what really happened. In the movie, things are quite innocent until the killer’s car pulls up behind them.Īn early draft could look totally different from what you eventually see on screen. In the script, this car has been following Darlene and Mike for miles, resulting in a car chase and eventual car trouble. What was interesting when I looked up this example was the fact that the script I lfound and the resulting film were very different scenes. ![]() Note that the pivotal moment “EVERYONE KNOWS” is played up for comic relief - the script has it appear in giant letters behind Miles, the last period landing with a resounding note. That includes scripting out the comic thought bubbles and things that appear across the screen. Into the Spider-verse has a narrative told through a comic book filter, and for that reason the script has to show this comic flair as clearly as possible. It is excellent, and for that matter, so is the script. ![]() This animated film balances humor, pathos and a coming-of-age story in a superhero origin film. We’re going to look at pages from three very different scripts: Spider-Man: Into the Spider-Verse (2018) by Phil Lord and Rodney Rothman, Zodiac (2007) by James Vanderbilt, and Butch Cassidy and the Sundance Kid (1969) by William Goldman Spider-man: Into the Spider-verse (2018) avoids camera direction (don’t use “the camera dollies in…”).uses ALL CAPS to highlight important things (use sparingly).sets tone and pacing or rhythm that informs the edit.details what can be seen or heard in the scene.tells you what the characters are doing in the scene.I want to spend time showing examples, so very quickly here’s what goes into scene description (also called action lines):
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